Showing posts with label audiobook. Show all posts
Showing posts with label audiobook. Show all posts

Wednesday, December 30, 2015

loopyker's #CBR7 Review #09: World's Greatest Sleuth! by Steve Hockensmith

I first discovered Steve Hockensmith in my library with his Pride and Prejudice and Zombies books.  While I am a big fan of the original Pride and Prejudice, I thoroughly enjoyed Hockensmith's addition of the zombies and his humour, so looked for more of his books.

World's Greatest Sleuth! audiobook coverHappily, my library has the Holmes on the Range mystery series as audiobooks, and I listened to the first four in quick succession.  By the last one, The Crack in the Lens, it was getting a little repetitive and I didn't enjoy it as much, but still hoped there would be more.  And recently I discovered my library has added the 5th audiobook, World's Greatest Sleuth!

Brothers, Gustav (Old Red) and Otto (Big Red)  Amlingmeyer are the stars of this series.  American cowboys in the 1890s. The older one, Gustav, is reserved and illiterate, but is fascinated by Sherlock Holmes' skill at detecting after his brother reads him the stories.  They, somewhat understandably, believe the stories are about a real detective.  Gustav has his own skill at detective work and with the help of his brother, they solve several mysteries, becoming their own unlikely version of Sherlock and Watson.

loopyker's #CBR7 Review #08: The Princess Bride by William Goldman

The Princess Bride audiobook cover
"IF YOU ENJOYED THE MOVIE, YOU'LL CERTAINLY ENJOY LISTENING TO ROB REINER, THE MOVIE'S DIRECTOR, READ THE BOOK."  was what the online library listing promised me.  They even shouted it.  They couldn't have been more wrong.

I would like to be really clear about this.  I don't want to get yelled at.  This is a review for the audiobook.  Very different from the movie.  I love the movie.  It became an instant favourite when I saw it over 20 years ago.  I've enjoyed it many times since.

I also read the book many years ago.  It was disappointing.  Some of my favourite lines from the movie are not in the book. But, there is more back-story detail added which can be entertaining.  If there wasn't the comparison, I would probably have thought it was a good book.  But, I would wonder what the big deal was with the fans of the movie, if I went only by that.

So, with this in mind, I already had lower expectations for the audiobook.  But Rob Reiner directed this popular movie.  Surely he must know how to read it well.  No, no he does not.  Which is ironic.  The story starts as someone reading the book to a sick boy.  Peter Falk does this well in the movie.

In the movie the boy rolls his eyes at the idea of being read a fairy-tale type book.  But, as fans of the movie know, even though on the surface it has romance and a princess (to-be) and a prince, this is a story for any age and any gender.  There are heroic challenges and fights, good versus evil and "true-love" with a little magic thrown in and mostly, with a lot of humour for both young and old.  It is just a lot of fun.

However, you would not know it by the way Rob Reiner reads it.  He rushes through much of it like he has something else to do and just wants to get this over with fast.    It is so rushed it can be hard to follow even who is talking without the appropriate pauses or even subtle voice differences.

A huge disappointment.  This is one of the few times where, without a doubt, I recommend the movie over the book.  And with even less reservations, I recommend both over the audiobook.  Don't bother with the audiobook.  Anyone who just listens to that will miss what the fans like in the others.

1 star for the audiobook
3 stars for the book
5 stars for the movie


Title: The Princess Bride (audiobook)
Author: William Goldman
Narrator: Rob Reiner  (movie's director)
Publisher: Phoenix Books, Inc. (Feb 06, 2007)
Duration: 2 hours, 32 minutes

Other formats: paperback/Kindle ebook
Print Length: 480 pages
Publisher: Mariner Books; Reprint edition (October 8, 2007)
(original published by Harcourt Brace Jovanovich (USA) 1973)
ISBN-10: 0156035154
ISBN-13: 978-0156035156
Kindle ASIN: B003IEJZRY

Note: A lot of formats say "abridged".  This is part of the joke, that William Goldman says he is abridging another book.  It makes it confusing to know if there is a real abridged version of William Goldman's work.

-------------- 
Rating system:
1 star (didn't like); 2 stars (OK); 3 stars (good); 4 stars (very good); 5 stars (favourite)
Also check out Cannonball Read for a variety of book reviews from many others.

Tuesday, December 29, 2015

loopyker's #CBR7 Review #05: Memory's Wake by Selina Fenech

Memory's Wake audiobook cover
Who would you be if you couldn't remember who you were?

Memory is a teenager who awakens in a land of magic with no idea who or where she is.  She is quickly discovered by another girl, Eloryn and together they flee some chasing men who have a dragon at their command.  The action in this story starts right away and keeps going.  The two find friends and more enemies along the way as they try to figure out who Memory is, while Eloryn works to save her country from an evil King.

As a long-time fan of Selina Fenech's artwork, I bought her first novel, Memory's Wake, when it first came out and was later gifted the audiobook to write a review after having read the full trilogy.

This is a good, solid first book.  It has somewhat of a Terry Brooks - Magic Kingdom feel to it somehow and compares favourably.  Having said that, I think after reading the other books in the trilogy and her Emotionally Charged book, I think this is the weakest.


Saturday, February 01, 2014

2013 - The Lost Cannonball Year, Part I

As I mentioned in my previous post, I wasn't able to do book reviews last year like I had planned, but I still read many books.

So, as part of getting organized for Cannonball 6 , here are short ratings of some of the books I read in 2013.

1. Sweep Series Books 1-15 (also known as The Wicca Series in some countries) by Cate Tiernan (audiobooks and ebooks)

Sweep: Book of Shadows by Cate Tiernan cover
I started this series in 2012 with the audiobooks (for the first couple or so) and then continued with the ebooks in 2013 to finish the whole 15 book series.  The audiobooks really set things up well for defining the characters and I continued to keep that voice in my head while reading the later books.   I'm not quite sure it would have been quite so good without those at the beginning.

These books were short on description and vocabulary, but were fun, quick reads.  For me, they blur together more like really long chapters, rather than completely separate books.  They combined the usual teen issues of fitting in and sexuality with discovering your own identity and abilities - in this case, some paranormal ones.  I liked that as the main character was discovering her witch heritage, her Catholic parents were not made out to be stereotypically stupid or rigid, nor the teenager overly rebelious and disrespectful.  It is a loving family.  And likewise, the lesbian aunt isn't the stereotypical "gay", but rather just part of the family. 

Book #7, The Calling was the weak one out of the group and really was just a set up for Book #8, Changeling.  But, I still recommend that you read them all, and in order, to fully appreciate the story.

I was sorry that they ended when they did, but glad that the last book Night's Child jumps ahead into the future to give a bit of closure...but I still would have liked more.

4 stars for the series as a whole

- x - 

2. Virals and Seizure by Kathy Reiches (audiobooks)

Virals by Kathy Reichs cover
These are Books #1 and #2 of a juvenile/young adult series about Tory Brennan who is niece of the forensic anthropologist Temperance Brennan from Kathy's more adult books, her Temperance Brennan (Bones) series.

I haven't yet read any of the Bones series to compare how Kathy's style translates to a younger audience level.  Overall, they were OK.  I liked the first book better, although both got a little repetitive and fell back on the over-used idea that teens never learn and will keep doing the same thing to get into the same trouble.  Some parts were a bit too corny for my taste too and I thought that Seizure tried too hard to get into a popular theme (pirates), rather than focusing on the uniqueness of the characters.

As an audiobook, at least the first one included one of the few really good uses for sound effects that I have heard.  All too often, they are just a distraction when in an audiobook. (I think it might have been dropped for the 2nd one - I can't remember now.)

3 stars for Virals; 2 stars for Seizure

Saturday, January 04, 2014

Catching Up 2012 (what I meant to do early 2013)

OK, so as you can tell, 2013 didn't go so well for the book review thing.  Grrr.  It turned out that I didn't have access to a laptop for most of the year, so in the limited times when I did, I had too many other things to catch up on even though I read many books.

I will try to get back into things now with Cannonball 6 .  I've signed up for a half-cannonball (26 reviews).

But first, so my mind, and some rough notes are cleared, I will give a short rating to some of the books I can still remember from 2012 and 2013 that I didn't get to.  Some of the best ones, I will leave and hope to do a quick re-read this year to do a proper review.

From my 2012 list:

1.  Matched and Crossed (Matched Trilogy books 1 and 2) by Ally Condie (audiobooks)

Matched by Ally Condie, CD coverI listened to these after The Book Hoarding Dragon's review of Matched piqued my interest.  I was not disappointed.  I liked how Matched started out looking like a utopia vs. something like The Hunger Games.  It made the conflict between safety and freedom more thought-provoking and relevant for today's world.  So, mixed with the universal themes of young unrequited and forbidden love, there were more compelling ideas about rebellion and the importance of language and creativity needed to even form and communicate those ideas.

By the time we get to Crossed, we see the situation for the full dystopia, it really is.  I didn't like it quite as much as Matched, but still enjoyed it and want to read the conclusion.  (still waiting to see if my library will get the audiobook in)

5 stars to Matched; 4 stars to Crossed 

- x -

2.  The Scarecrow and His Servant and The Firework-Maker's Daughter by Philip Pullman (audiobooks)

The Scarecrow and His Servant by Philip Pullman, audio cover
I'm only putting these together because they are shorter (juvenile) books by Philip Pullman.  Very enjoyable with some good humour and, like his famous His Dark Materials Trilogy some good role-reversals and twists.  I especially liked the scarecrow character.

4 stars to both

- x -

3.  Tuck Everlasting by Natalie Babbitt (audiobook)

I hadn't read this before and only saw the 2002 movie trailers which looked like a paranormal teen romance.  This wasn't like that

Saturday, January 05, 2013

loopyker’s #CBR4 Review #22: War of the Worlds by H.G. Wells

I'm sure I'm not the only one whose only previous experience with H.G. Wells was the 2005 War of the Worlds movie  starring Tom Cruise and Dakota Fanning and the character on Warehouse 13 .  While the movie was entertaining, it had the usual Hollywood dramatic scenes with the hero fighting to protect their family, where everything is frantic and full special effects.

With that in mind, I found the audiobook refreshing.  It has a much slower start than the movie.  The aliens don't just pop up out of the ground.  Strange objects, apparently from Mars, land on the earth and are later reveled to contain aliens - Martians.  We don't know at first if they are friendly or malicious.  They construct their tripod killing machines while people watch and wonder.

When the machines are operable, their destruction of humanity and civilization begins.  Of course, this is a time before cars, so people are fleeing by foot and horse and buggy and they don't have access to instant news or telephones like we do which makes for even more confusion.  Everyone is on their own.

One of the best parts is that the main character has no children and is not looking after any children.  I found this a nice surprise after so many of today's movies are made to manipulate our heart strings by making it all about the children.  Instead, the man has a wife, who he gets separated from in the early stages and spends most of the book not knowing if she is dead or alive.  The story is about his survival and the random people he encounters and how everyone is dealing with this stress of attack and survival differently.

I am very glad to have finally heard the original.  There is a reason why there are many adaptations of The War of the Worlds - it is just fundamentally a good and compelling story.  Some things are understandably dated, with the idea of "Martians" probably the most jarring to today's readers.  But other elements from its time period make it even better.  The 2005 movie gave us a very good visualization of how horrible the alien machines were which heightens the contrast between the alien technology and the simpler human resources.   When people are fleeing by horses, it makes their plight even more staggering than those experienced in the movie version.

I forget what the "enhanced" part of the audiobook was.  I assume there was music or sound effects at some point, but I can't remember if I felt they added or detracted from the story.  I just remember that I very much enjoyed the audiobook and story overall. 

The War of the Worlds [ENHANCED] Audiobook
Author:  H. G. Wells
Narrator: Simon Vance
Duration: 5 hours, 56 minutes
ISBN: 9781400192847
Release date: Jun 30, 2009  (original printed publishing 1898)

loopyker’s #CBR4 Review #19-21: Various mysteries by Elizabeth Peters

Elizabeth Peters (real name Barbara Mertz who also writes under Barbara Michaels), is best knows for her popular Amelia Peabody mysteries.  Those are amongst my favourite mystery books, but Elizabeth Peters has written many other books.  For this review I'm combining three of her other books that aren't any other series.  My feelings and criticisms are very similar for them all, so it seems pointless to write the same review three times.

While the Amelia Peabody series begins in the 1880's, these other books have contemporary settings, but are now out-dated having been published in 1968-1977.  Amelia is ahead of her time, but the women in The Jackal's Head, The Night of Four Hundred Rabbits and Devil-May-Care perhaps were modern in the early 1970's.  That's when I was born, so I'm not really sure.  However, for present day, they come across as annoying, old-fashioned and not as likeable as they probably were originally.  They fight against the constraints that society places on women, but then often end up falling into silly and frustrating stereotypes despite that.

I listened to The Jackal's Head most recently.  Looking it up, it is the oldest one, which probably explains why I liked it the least.  It takes place in Egypt, a setting familiar to Peabody fans.  A young women returns to the place that destroyed her father's reputation and led to his death.  She masquerades as a tourist but meets childhood friends as she searches for answers to clear his name and her cover is quickly blown.   The eventual archeological finds go much more into fantasy than what I can remember from the Peabody series.

Surprisingly, compared to the other Elizabeth Peters books I can recall, there are two attempted rape scenes in The Jackal's Head.  They are kind of left ambiguous as to how far the attacker actually got.  I think we are supposed to understand that he didn't succeed, but in the first she is left unconscious and bruised.  I do not like reading/listening to sexual violence in books, so this was disappointing for me and I wasn't expecting it after being familiar with so many of her other books (Peabody and otherwise).  I suspect that this is a product of the time it was written.  If I recall correctly, Anne McCaffrey included a rape in an early fantasy story published around this time which she later regretted and changed in a rewrite when the short story became a full-length novel.  (and I can recall being very disappointed in that since I read the original before knowing about the rewrite)

Anyone familiar with Peters books will not be surprised at the ending of this book either.

The setting is slightly different in The Night of Four Hundred Rabbits.   A young women travels to the pyramids in Mexico City in search of her missing father.  Again, this was disappointing for Peters.  There is a strong anti-drug message that is unexpected and lacks creativity.   I think this is one of the most dated of her older work and doesn't hold up well now.  I can't even remember anything remarkable enough to comment more specifically about now and don't even remember the ending.  I don't think I cared too much by then. 

Refreshingly, Devil-May-Care, takes place in Virginia.  A young, wealthy woman house-sits for her Aunt and gets some much needed time away from her fiancĂ©.  She unwittingly uncovers some secrets about the old families in the area - but she's not even sure what she found and everyone wonders if the strange things happening in and around the house are paranormal or real-world tactics to try to keep the secrets hidden.

Out of the three books, this was the most recently written, and you can tell.  It still is not as strong as many of her other books, and a little too predictable but definitely better than The Jackal's Head and The Night of Four Hundred Rabbits.  In all cases there were instances where I was just rolling my eyes at the talks the women have with themselves about how they are modern women, while still having such sexist attitudes. 

I don't recommend any of these if you have not already enjoyed Elizabeth Peters in other books.  I would only bother with The Jackal's Head and The Night of Four Hundred Rabbits if you really, really want to just read everything by Peters and don't expect much.

The audiobook quality and narration were good.  However, these might read better in print when you can skip quickly through the annoying parts.  

Author: Elizabeth Peters

Audiobooks:
Narrator: Grace Conlin
Publisher: Blackstone Audio, Inc.

The Jackal's Head
Duration: 6 hours, 35 minutes
ISBN: 9781455100057
Release date: Mar 08, 2005  (first print book published 1968)

The Night of Four Hundred Rabbits
Duration:  7 hours, 46 minutes
ISBN:  9781433264900
Release date:  Nov 29, 2005  (first print book published 1971)

Devil-May-Care
Duration:  7 hours, 28 minutes
ISBN:  9781455101177
Release date: Jan 09, 2007  (first print book published 1977)

loopyker's #CBR4 Review #15-#18: His Dark Materials, Books 1-4 by Philip Pullman


I really wish I had gotten to this review when His Dark Materials was fresh in my mind, but some major things happened in my life right then so here it goes almost a year later!   I can't really separate the books well in my head now, so the review will be very general.  

I had reviewed The Lighthouse Land by Adrian McKinty shortly before listening to The Golden Compass, which was also my introduction to Philip Pullman  .  I take back what I said about wanting to continue The Lighhouse TrilogyThe Golden Compass reminded me what a really good book was!  There is no comparison and I will not waste my time listening to the rest of The Lighthouse Trilogy.  Since then I've listened to several Philip Pullman audiobooks and have enjoyed every one. 

His Dark Materials is about a young girl named Lyra and her daemon Pantalaimon or "Pan" for short.  Pan acts like a pet, but you will learn in the book that it is much more than that.


In the The Golden Compass (note: in some countries it is titled Northern Lights), Lyra and Pan overhear some dark plans that begin them on a journey to discover the truth behind the disappearance of children throughout the land. Of course, there are many dangers for herself and others along the way.   With a heartbreaking, cliffhanger ending, I immediately went on to the next book.



The Subtle Knife follows Lyra and Pan as they travel to another world with a new friend, Will.  Here it is the adults who are in danger from forces that can attack at puberty.  Lyra and Will are all too close in age to that for comfort.  They find a tool that helps them travel through worlds to continue the quest to find the truth about the missing children and the dark things happening in multiple worlds.  Again I wanted to continue immediately to the next book which is the conclusion of the trilogy.


Lyra and Will's adventure continues with The Amber Spyglass.  They are learning a lot about life and love with all they've had to go through.  There is a war with the Kingdom of Heaven and they still have to find the the final pieces to the puzzle.   The conclusion is satisfying, but heartbreaking.   I was very emotional at this point in my own life, so I cried a whole lot with this. 

Overall, His Dark Materials is so good because it treats its readers like intelligent and curious individuals.  It doesn't dumb things down like so many things do nowadays for readers - and not just for children.  Philip Pullman questions authority and organized religion and the corruptions of power.  He wants his characters and readers to have a critical mind and to find the truth behind appearances.  His characters also learn a lot about the different kinds of love and sacrifice for the greater good.  I didn't really agree with the jealous love shown by the witches - I don't think we are supposed to, but it is still called "love" in the series, which is what I question.  But the themes of the other types: self-love, friendship and romantic love are more important and treated well.  And all of this is portrayed through unique worlds and characters.

I was very sorry for the Trilogy to end.  I wanted to hear more about the characters.  I looked forward to Lyra's Oxford, but it is only a short story about an adventure Lyra has two years after the end of The Amber Spyglass and didn't offer much.

The first three books are now amongst my favourite fantasy books.   I will certainly be rereading them and adding them to my permanent library.  The audiobooks were very well done with a terrific cast of narrators.   One of the best I've heard.

The series is recommended for ages 12 and up.  Each book has received several awards in both the print and audio versions.

His Dark Materials
Author: Philip Pullman
Narrated by Philip Pullman and a full cast
Publisher:  Listening Library

Book 1:  The Golden Compass
Duration: 10 hours, 33 minutes
ISBN: 9780739345122
Release date: Jun 27, 2006

Book 2:The Subtle Knife
Duration:  8 hours, 55 minutes
ISBN:      9780739350355
Release date: Aug 15, 2006

Book 3:The Amber Spyglass
Duration: 14 hours, 53 minutes
ISBN: 9780739345054
Release date: Jun 27, 2006

Book 4: Lyra's Oxford
Duration: 48 minutes
ISBN: 9780739353288
Release date: Oct 31, 2006

loopyker's #CBR4 Review #14: Anne's House of Dreams: Anne of Green Gables Series, Book 5 by L. M. Montgomery

As I mentioned in my review #10 , I am a fan of the Anne of Green Gables series and have read them many times.  This was the first time listening to an audiobook version of one of them.

Having grown up with the TV series where Anne is played by Megan Follows it is hard not to compare the narrator of an audio version to her.  It's especially hard when at times, this narrator, Susan O'Malley, did actually sound like Megan.  But, it was a Megan without the "joy" that the real Megan has in her voice. (and still does when I've seen her as a guest star on numerous TV shows) .  Susan's voice was better suited to the sadder parts of House of Dreams, of which there were ample.  But her voice grew on me by the end of it.

I don't feel that House of Dreams is the strongest book in the series, but it is an important book.  Here Gilbert and Anne are finally starting a life out on their own.  Gilbert has his own medical practice and Anne is a new wife as they move to their first house and eventually start their own family.  It is a time of many changes.

Gilbert and Anne are meant for each other.  But that doesn't mean they don't have their own sorrows along the way.  House of Dreams is more somber than the preceding books in the series.  But, it is an important development for Anne to work through her latest grief and transition to full womanhood/motherhood.  In typical L.M. Montgomery style, the reader is prepared ahead of time for the sad parts, but it doesn't lessen their emotional impact at all.

Anne's House of Dreams: Anne of Green Gables Series, Book 5
Author: L. M. Montgomery

Audiobook:
Narrator: Susan O'Malley
Publisher: Blackstone Audio, Inc. (Nov 09, 2004)
Duration:  9 hours, 23 minutes
ISBN:      9781455100842

Friday, December 28, 2012

loopyker's #CBR4 Review #13: True Strength: My Journey from Hercules to Mere Mortal and How Nearly Dying Saved My Life by Kevin Sorbo

OK, I admit that I kind of had a crush on Kevin Sorbo during his Hercules:The Legendary Journeys days. I've always had a weakness for tall guys with long hair - but, he also seemed like a decent guy when giving interviews. I hadn't really thought about him in years, but was extremely disappointed to find out recently that he is now into some of the more extreme Christian fundamentalist propaganda  . It didn't seem to fit with his past public image, so I was curious. In looking him up, I discovered that he had a serious illness and had written an autobiographical book  about it. “Aha!”, I thought. “That might explain the extreme religious views.”

I was pleased to discover that my online library had the audiobook of True Strength, narrated by Kevin himself and his wife, Sam Sorbo.  I hoped to find an explanation for this fundamentalist approach in this book. I was disappointed in that respect, but really enjoyed and connected with the book in other ways.

We all know we are mortal, but many of us like to forget about that at different times in our lives. Kevin Sorbo probably wasn't thinking of it too much when he was in peak physical condition and playing the half-god, Hercules on one of the highest rated syndicated television shows in the world in the 1990's. But, he was was forced to confront that in a sudden, terrifying way. Unknown to all but his closest family, friends and co-workers, at this peak time, Kevin suffered three strokes after an aneurysm in his shoulder caused clots to travel through his body. These resulted not only in damage to his arm, but both long lasting and permanent symptoms such as partial blindness, dizziness, weakness, headaches and ringing in his ears just for starters.

This struck while on hiatus from Hercules, between the 4th and 5th seasons, just after the release of Kull the Conqueror (1997). It was at a crucial point, both in his career and for the continuation of Hercules where a lot of other people depended on Kevin as the star to keep the show going. Hercules hadn't yet reached that magic 100 episode number for the best syndication deals. But fortunately, everyone had a little time to figure things out before filming began again - and it took a lot of creative solutions.

It's been a long time since I've seen Hercules, but I still can remember when the writing suddenly changed with Kevin missing in strange ways - like one episode where he had been turned into a pig or was missing altogether. At the time, I was annoyed at the writing. Now, after reading True Strength, I'm amazed they pulled off hiding Kevin's recovery and disability so well! I found it really interesting to hear about all the little tricks they did to make it look like he was there more than he was and what they used to hide his weakness. He went from doing many of his own stunts to needing a body double to even lift a sword for awhile. He was never able to return to doing even many of the previously easy-to-him stunts.

Besides relating to True Strength as a fan of Hercules and then Andromeda, I very much connected with the personal struggle Kevin went through with his sudden disability. I couldn't be further away from the TV business, or the physical fitness enthusiast Kevin was. But, as someone who became disabled after a car accident, I could relate to a lot of the things he felt and encountered - from the broader implications of not knowing what you are going to be able to do with your life, to the little strange things like developing random food allergies.

I too was knocked down at a high point in my life. It doesn't matter how much money you have or how famous you are - it is the same process of discovery to figure out what exactly happened to your body and what is your “new normal” state mentally, physically and emotionally - and then what to do to move forward with all of that.

Like many people, Kevin had a tough time with his doctors. Some dismissed his symptoms and thought he should get better quickly, while others said the opposite. It became a struggle to know who to trust and believe and to know when to trust and believe his own body too. It is hard enough for us “regular” people to work through this just with ourselves and our families. Kevin had to go through all of this while presenting a public image of a demigod. He had been so good at doing this before his strokes that even doctors and emergency care workers afterwards weren't always taking him completely seriously because he was Hercules.

I read a review of True Strength that criticized Kevin as just a whiner - that he had lots of money to afford doctors and alternative treatments etc. when this particular disabled reviewer didn't. I think they are missing the point of the book. Yes, he had it easier than many people in some ways. But, as I said above - money doesn't really matter when it comes to the internal, personal struggle you go through. Kevin openly admits there were times when he got self-absorbed and depressed and took it out on people like Sam. I think it would be a very rare person indeed who didn't experience that at some point with a big life adjustment like that. It is refreshing to see a real portrait of that kind of roller coaster rather than the myth that disabled people are only inspirational and good people if they are passive, meek and grateful just to be alive and for any charity they receive.

That view of the disabled is perpetuated to make the the charity givers feel good about themselves. It does not treat the disabled as well-rounded human beings - and that is why I am very happy that Kevin Sorbo wrote this book! His celebrity can make other people think about disability in a way that the average person can't. Hopefully, in a way that also makes them more compassionate towards us.

True Strength is an inspirational book. As a disabled person it is good to see that even celebrities deal with the exact same things as we do and that they can rebuild successful lives, both personally and professionally.

Back to the original reason I listened to this book - Kevin's Christian fundamentalism. He talks about coming to terms with his faith in the book, but I didn't really pick up on how he got to the more extreme views. In fact, he talks about some decidedly non-fundamentalist views about things too. I still suspect the strokes had an impact on his more extreme beliefs, but this book is more about Kevin as a whole person and at an earlier time in his faith, so there were no good answers about that.

As an audiobook, Kevin and his wife were excellent narrators and it made the book more personal. It was one of my favourite books of the year and I highly recommend it in audio or print version.

Audiobook
Narrator: Kevin Sorbo and Sam Sorbo
Publisher: Oasis Audio
Duration: 9 hours, 36 minutes
ISBN: 9781608149285
Release Date: January 19, 2012


Hardcover: 296 pages (also available in paperback and e-book versions)
Publisher: Da Capo Press (October 11, 2011)
ISBN-10: 0306820366
ISBN-13: 978-0306820366

Saturday, December 22, 2012

loopyker's #CBR4 Review #11: The Hunger Games by Suzanne Collins

I had this review ready to publish last week, but after the recent tragic news about the Newtown shootings in the US I took some time to rethink it.  I don't think that event changes my feelings about about my review below.  I feel that despite the violence in the book, The Hunger Games is more relevant to our current-day reality TV and our culture of competition and voyeurism than to school shootings or violence against children specifically.  But the media attention around such events has haunting similarities. 
- - -

I finally got on the bandwagon and had my first experience with The Hunger Games. I listened to Book 1 as an audiobook. Prior to that I had managed to avoid most of the hype. I didn't want to ruin it for myself if I ever did read the book or watch the movie. I hadn't heard of the book until the movie came out, but several friends had, and loved both the books and the movie, so I was curious but the general description of children having to fight to the death just created Lord of the Flies flashbacks, so I wasn't seriously interested. I absolutely hated Lord of the Flies reading it in class in early high school. I reread it once later to see if I had a different opinion as an adult. I didn't. 
I'm very happy to say that The Hunger Games was a completely different experience. I'm not sure if it was because the viewpoint for The Hunger Games was a girl vs the boys in The Lord of the Flies, or maybe it was because there was a much better back story for the characters leading up to the fighting so that you cared about them a lot more. I have no intention of re-reading The Lord of the Flies for a more direct comparison. Although, now that I'm thinking about it, I think that what stuck with me in The Lord of the Flies was the cruelness of the children, whereas in The Hunger Games is it is the compassionate moments that stay with you afterwards. I much prefer the latter. 

The Hunger Games is told from the point of view of a 17 year old girl, Katnis. She has been the head of her family since her father died when she was 11 years old and her mother went into a depression. They live in a poor, post-apocalyptic North American, coal mining community called District 12. Districts 1 thru 12 each specialize in a different industry and are controlled by The Capitol, mainly through keeping them in extreme poverty. 

As punishment for a rebellion by the Districts many years before, each year a boy and a girl from each District are chosen as Tributes to fight each other to the death. The victor earns much needed food and fuel for their own District for the following year. This is all great entertainment for the sadistic Capitol and its inhabitants, but understandably a source of terror each year for many in the Districts. 

The Hunger Games does a good job of contrasting these two viewpoints. I really felt for Katnis as she tries to understand this and navigate through all the Game preparations surrounded by excited Capitol helpers. I liked that they weren't just thrown into the fighting right away. It was much more subtly horrible to see the parallels of our own reality TV turned into this terrible form of entertainment with the superficial fashion shows and interviews actually becoming potentially life-saving events if they encouraged the audience to sponsor a Tribute with aid during the Games. 

Katnis is a very likeable character and I enjoyed learning about her life. She had already lost much of her childhood and continues to grow up more through this terrible experience. She constantly reminds us about how horrible the situation is without being whiny or preachy - she just reacts with her gut much of the time. She is strong and intelligent and admirable. I cried at a couple of points in the book - balling freely at one point. An audiobook makes that much easier, since the story continues even when your eyes are blurry with tears. 

However, this book is about children being forced to kill children, so you do have to be in mindset to be able to handle that. But, I didn't feel like the violence was really gratuitous or glorified. The ending was satisfying, but certainly left me wanting to go right on to the next audiobook in the series...although, I have to now wait for 62 people ahead of me on the online library waiting list to get through it first. 

I wrote the above right after finishing the audiobook.  I am now eleventh on the waiting list, so that is some idea of how long ago I listened to this.  I can't now recall anything about the audiobook quality, so I must have enjoyed the narrator.  In my opinion the best ones are the ones you don't really notice - it just feels natural to be listening to it.

The Hunger Games (Book 1) by Suzanne Collins  
Reading level: Ages 12 and up 

Audiobook : 
Narrator Carolyn McCormick 
Publisher: Scholastic Audio (Mar 01, 2011) 
Duration: 8 hours, 24 minutes 
ISBN: 9781445834207 

Hardcover: 384 pages (also available in paperback and ebook versions) 
Publisher: Scholastic Press (Oct 1, 2008) 
ISBN-10: 0439023483 
ISBN-13: 978-0439023481

Thursday, December 20, 2012

loopyker's #CBR4 Review #09: Answer Me, Answer ME by Irene Bennett Brown

In my online library, a quote described Answer Me, Answer ME as “An excellent portrayal of a young woman's search for her true identity, a compelling story with just the right elements of mystery and romance.” Sounded like a potentially good, young adult book to me. I was sadly disappointed.

I listened to the audiobook, but I don't think that made a difference to my experience of the story. I can't imagine even the best narrator in the world making me anything but sorry I wasted my time. The only difference is that I didn't notice that the second “me” in the title is written “ME” until looking it up to write this review.

A young woman, Bryn Kinney, is on her own after her grandmother's death. Now at only 18 years old, she is wondering if her grandmother, the woman who raised her, was really in fact her biological grandmother at all and if she has any other family out there somewhere. She has never known who her parents were, so she sets off an a quest to search for answers about her past.

I did not connect with this book at all. I kept expecting something interesting to happen, for there to be some twist for that “mystery” element, but it didn't happen. No, you don't know who her parents are right away, but when things are revealed it is very anti-climatic and if you are paying attention you can figure most things out well ahead of time. As for what I didn't figure out, I didn't feel a strong enough connection to Bryn to really care about. The “romance” mostly meant that a guy was there and wanted to date her, but the big romantic tension was that she felt she couldn't socialize and look for clues to her past at the same time.

In general, there were no real conflicts in other areas either to create the tension necessary for a good story. And what attempts at conflict there were, seemed false to me so I just couldn't get into caring about the character at all. 

Young adults reading this now will also find the technology very out-dated and I expect they would have trouble relating to a search for family without the use of Google and other online options. It is getting harder and harder all the time for even someone my age to relate to that. In a lot of stories, a passing reference to this type of thing isn't a big deal, but in this book there is a lot of talk about how she is actually searching for information by following tips from a book. Many of those tips are still valid, but the lack of Internet searches is more glaring than usual. But maybe I wouldn't have noticed so much if I had been interested in the rest of the story more.


Author: Irene Bennett Brown
Reading level: Ages 12 and up

Audiobook:
Narrator: Laurie Klein
Publisher: Books in Motion (December 16, 2008)
Duration: 6 hours, 23 minutes
ISBN: 9781605481456

Paperback:
208 pages
Publisher: iUniverse (October 20, 2000) (original publication 1985)
ISBN-10: 0595145051
ISBN-13: 978-0595145058


loopyker's #CBR4 Review #08: The Killings at Badger's Drift by Caroline Graham

I'm a fan of the TV show, Midsomer Murders, and the first five books in Caroline Graham's Chief Inspector Barnaby Series inspired this TV show, so I thought I'd see how the audiobooks compare starting with The Killings at Badger's Drift: Chief Inspector Barnaby Series, Book 1 .  I haven't read any of the original (7) print books. 

If you've seen the British TV show, then you know that Midsomer Murders follows the investigations of Detective Chief Inspector Tom Barnaby and his younger sidekick Sgt. Gavin Troy, around the quaint little villages in the English countryside .  These are slower paced murder mysteries when compared to typical American shows.  Runtime per episode is 100  minutes.  If you find these too slow-paced for you, then the 8-13 hour or more length of the audio books won't be to your taste.

Compared to the TV show, I found both the Barnaby and Troy characters less likeable.  DCI Barnaby was missing that subtle, warm humour portrayed so well by actor John Nettles  and similarly, Sgt. Troy was missing the sweetness to his inexperienced bumbling that Daniel Casey (and later Jason Hugh as DS Jones) brought to the roll.

The narration and most character voices were read well by Hugh Ross, however some of the voices for the more flamboyant characters were exaggerated in a way that made them difficult to understand at some points. 

Since I started writing this review, I have seen a couple of the more recent Midsomer Murder epidsodes where John Nettles has left and has been replaced by his cousin with the convenient name of DCI John Barnaby, played by Neil Dudgeon.  I'm glad that I saw this after listening to the audiobook.  It makes this new TV DCI Barnaby character more understandable.  I feel like he is much more like the original DCI in the book version of Badger's Drift.  Similarly, and unfortunately for the sidekick - now DS Ben Jones, played by Jason Hugh, they seem to have made his character more immature to have the relationship between the DCI and his underling closer to the book, instead of looking like he has gained some experience working with the first DCI Barnaby.   I am curious to see if the sidekick character develops better in both the TV show and books in the Chief Inspector Barnaby Series.

As for the story, it is a traditional type of murder mystery.  An elderly spinster sees something she shouldn't have and gets killed to hide the secret.  DCI Barnaby has to figure out if it was in fact a murder, and if so, then what was the motive?  There is a little more adult content in this then in the TV show - enough that I made a note to mention it, but not enough that I can remember specifics now.  I don't like to say much about the plot or characters since it is a mystery. 

The Killings at Badger's Drift: Chief Inspector Barnaby Series, Book 1
Author: Caroline Graham
Audiobook:
Narrator: Hugh Ross
Publisher: AudioGO Ltd  (Mar 01, 2011)
Duration:  8 hours, 24 minutes
ISBN:  9781445834207

Hardcover:
264 pages (also available in paperback and ebook versions)
Publisher: Adler & Adler Pub; 1 edition (January 1988)
ISBN-10: 0917561414
ISBN-13: 978-0917561412

Sunday, February 12, 2012

loopyker's #CBR4 Review #05: The Lighthouse Land by Adrian McKinty

The Lighthouse Land introduces us to a 13 year old boy in New York City, who has survived cancer via an arm amputation which has left him mute from the shock.  His life changes for the better after he and his mother inherit their own small island and home off of the coast of Ireland.   There he becomes friends with a boy-genius his own age and they discover a portal to another world.  After becoming friends with a girl on the alien planet, they help to fight the pirate-type race who are attacking her people.

Again, I chose to listen to the audiobook version for this review.  At the beginning of The Lighthouse Land, I did not like the use of the future tense "you will".  Maybe it was a little more confusing hearing it, rather than reading it, since it is unexpected.   Fortunately, this does not continue for very long, and I stopped myself from giving up on it too soon. 

I also thought that the narrator, Gerard Doyle, sounded amateurish, by tending to end his sentences on a high note.  I was shocked to discover that he has won numerous narrating awards, including Best Voice in Young Adult Fiction in 2008.  So, I'm very curious now to listen to something else he has narrated to compare.  I did feel that his voice was better suited to the characters later in the book, rather than the ones in the New York setting.  I'm not sure if this was the writing or his voice, but Gerard was almost certainly chosen as narrator because of the Irish setting after New York.

Overall, I thought this was just an OK book.  It was certainly not one of my favourite science fiction/fantasy books.  I didn't find the plot very original and the boys at times seem very young and other times overly mature for  their age, making it seem very inconsistent and forced.  I have not read McKinty's adult books, although I understand, they have a lot of graphic violence (so I probably won't be listening to them).  My guess is that he does not translate his skills as well to Young Adult as authors such as Terry Pratchett or Neil Gaiman do.  Both of them masterfully translate their dark sides to be suitable for younger readers without over-simplifying and feeling unnatural.

However, this wasn't a completely terrible book either.  After having invested the time in getting to know the boys a bit, I did like it enough to want to continue to the next book to see what happens to them.  But I'm not in a rush to do that and have already both listened to and read books since this one, so I better get to those reviews soon too!  :)

The Lighthouse Land
The Lighthouse Trilogy, Book 1
Author: Adrian McKinty

Audiobook version
Narrator: Gerard Doyle
Publisher: Blackstone Audio, Inc.
Duration: 9 hours, 59 minutes (unabridged)
ISBN-13: 978-1441771537
Release date:  January 4, 2011

Hardcover Version
Pages: 372
Publisher: Harry N. Abrams (October 1, 2006)
ISBN-13: 978-0810954809


Saturday, February 11, 2012

loopyker's #CBR4 Review #04: The Witch of Blackbird Pond by Elizabeth George Speare

Original Hardcover cover

I've held on to my copy of The Witch of Blackbird Pond since I was about 11 years old and have re-read it many, many times. In a time when the word “witch” brings up images of Harry Potter-type stories, it might be helpful to clarify - this book is historical fiction, NOT fantasy. :) “Witch” refers to the Puritan colonist ideas of what a witch was in the 1600's. Generally, anyone who was a little different, especially a different religion, might be accused of being a witch in league with Satan. For this review I decided to listen to this old favourite in the audiobook version for the first time, to compare it to the experience of reading it myself. 
 
The Witch of Blackbird Pond starts with a 16 year old, free-spirited girl named Kit, traveling on a ship from Barbados to Wethersfield, Connecticut - a Puritan colony up the Connecticut River, in 1687.  Kit was raised by her wealthy grandfather in Barbados in a completely different lifestyle from the Puritans. But after his death, she is now on her way to live with relatives who she has never met before. Kit struggles to fit into her new life and to understand the Puritans, but, while her relatives try to be welcoming, they make little effort to understand her in return. It is quite the culture shock for her to go from having wealth, status and slaves to being poor and an outsider having to learn daily household chores.

Kit does her best to become friends with her cousins, Mercy and Judith, while they are all getting to know each other and are developing romances with the very few eligible young men around. But eventually, she rebels against the intolerance of the community and finds comfort by becoming friends with the lonely, old Quaker women who lives at Blackbird Pond.

The book ends with an old-fashioned Puritan witch hunt and Kit finds out who will really stand up for her and for justice when it counts.

While I've always thoroughly enjoyed it when I read this book, I found the audiobook, narrated by Mary Beth Hurt, lacking something.  As it started, I was initially disappointed with some music competing with the narrator's voice, but that soon ended and only recurs briefly again at the end. But it is completely unnecessary and detracts from the reading. Then, my second disappointment was that the narrator's voice did not suit what I had in my mind for Kit's voice. I was afraid that it would ruin the whole book for me, but it eventually grew on me enough to go unnoticed most of the time. Mary Beth was good at doing both a young girl's voice and an older woman's voice - it was the main character's teenage voice that didn't seem right to me. 

And a little side-note - there were a few scattered technical glitches, of voice skips. I don't know if that was just my download, or if it would be in other library audio versions too.

I've very seldom thought a narrator had the “wrong” voice before. A few have just been bad in all respects, but the good ones, are usually good all around too. So this problem was a new experience with audiobooks for me. I've also both read and listened to the same books before, but I'm not sure if I've done it in this order since at the moment I can only recall buying a book after enjoying the audio version. So perhaps it is just harder for an audiobook to live up to my own imagination. I hope to find more library audiobooks to compare to other printed favourites to better determine this.

This book will appeal to readers who enjoy juvenile historical fiction books with feisty, young heroines. It is recommended for ages 8 -10 and up, although the younger readers may have a little difficulty following the politics of the time. But anyone may enjoy looking up the real historical figures and places, such as Wethersfield and the Buttolph-Williams House.

The Witch of Blackbird Pond
Author: Elizabeth George Speare
Young Adult Historical Fiction
 
Audiobook cover
Audiobook (unabridged)
Narrator: Mary Beth Hurt
Duration: 6 hours, 33 minutes
ISBN:  9780739330289
Release date: Oct 31, 2006

Hardcover:
Pages: 249 
Publisher: Houghton Miffline Company (December 1, 1958) 
ISBN-13: 978-0395071144
Awards: Newbery Medal in 1959


Tuesday, January 17, 2012

loopyker's #CBR4 Review #03: Circle of Magic Series by Tamora Pierce


I listened to all four audiobooks in this series in rapid succession right before signing up for CBR4, so I will treat them as one review since I can't really separate them completely in my memory now.

The Circle of Magic series begins with Sandry's Book, with the individual stories of four lonely, outsider children. Each is from a very different background (noble, merchant, trader and thief) and has either been abandoned or orphaned in some way. Each is found by a kind man, and taken to a private school of sorts. There each finds their way to a teacher and mentor who turns out to be a mage in a special kind of magic - a different kind than is well-known in this world. Given the title of the series and hints along the way, it is no surprise to anyone except the children's characters that each posses their own rare kind of magic (weaving, weather, metal and plant).

As you can tell by the book titles, each of the four books, is from the point of view of one of the children (3 girls and 1 boy), but all four are still main characters in each book. The first book, Sandry's Book is rather slow to get started as it introduces all the characters and locations and really is more about setting up the rest of the series. The four children are getting to know each other and figuring out their new lives. There is finally some real action with the group of four at the end which ends up binding them in a way that is important for the rest of the series. Together they form a completely unique magic which keeps changing and surprising them in the later books.

Surprisingly, since I read a lot of young adult fantasy, this was the first Tamora Pierce book I've read! I was a good, average, juvenile-young adult fantasy book that interested me enough to continue to the next in the series, Tris's Book.

Tris's Book begins soon after Sandry's Book ends. The children are now bonded both my magic and by growing friendship. They are learning more about their abilities and how to control their magic, but still have a long way to go. However, there is a pirate attack on the way, before they are prepared. These are not the “nice” pirates of some stories, but the ruthless kind.

For me, Tris's Book was the weak one in the series. I found it predictable and emotionally flat. It also depended more than I liked on the cliche of children not listening to what they are told to do and getting into trouble when they should have known better. However, by then I was invested enough in the characters to want to continue to the third book, and I'm glad that I did.
 
Daja's Book, is the third in the series. By now the children are very good friends and are taking their magic for granted at times, while they still have things to learn and discover about it. Daja is from the most unique culture, with a different sense of honour and duty that we come to better understand through this book. An accident with her metal magic produces something that interested my artistic sense and I enjoyed that unexpected aspect of her blacksmithing talent.

In Daja's Book, the children also learn more about the serious consequences and responsibilities of magic, for themselves and for other mages as they travel with their teachers. Through this they start to show more maturity. Fire and drought provide the scene for more physical adventures that are more compelling than the previous book, so I happily proceeded to the fourth book.

Book four is, Briar's Book - Briar being the only boy in the group of four. Despite being the boy, he is one of the more sensitive of the group, but hides it well in a non-wimpy way. As a gardener myself, I enjoyed his work with plants throughout the series. This books gives us a much more emotional view into Briar's past and current life.

The children have now learned and matured enough to be doing some work on their own, but are still connected through their magical bond and friendships. In contrast to the physical adventures of the previous book, Briar's Book, deals more with the internal fears of illness, separation and death within their current lives which also brings up past trauma for those who had lost friends and family before.

I enjoyed this book the most out of the series because of this emotional component and maturity. However, it wouldn't have near as much impact as a stand-alone book and I would still recommend reading the series in order to watch the characters grow and develop.

Overall, I enjoyed the series and the characters. The overall message of tolerance and respect for other cultures and non-stereotyping of genders was not presented in the gimmicky way that has bothered me in other books before. Anyone who has felt like an outsider can probably relate to at least one of the children, if not more.

I enjoyed the quality of this series as audiobooks, read by Tamora Pierce and a full cast of voice actors. I will definitely be looking for more audiobooks published by Full Cast Audio, which also specializes in family-friendly books. This series is recommended for ages 10 and up. I look forward to reading the sequel series, Circle of Magic: The Circle Opens and Tamora Piece's many other books in the future. 

Circle of Magic Series
Author:  Tamora Pierce
Read by: Tamora Pierce and Full Cast
Publisher: Full Cast Audio
Audiobook: Unabridged

 
Circle of Magic Series, Book 1
Duration: 5 hours, 49 minutes
ISBN:  9781932076691
Release date:   Nov 02, 2002

Circle of Magic Series, Book 2
Duration:  5 hours, 37 minutes
ISBN:  9781932076783
Release date:  Dec 31, 2003

Circle of Magic Series, Book 3
Duration:  5 hours, 25 minutes
ISBN:  9781932076790
Release date:   Dec 31, 2003

Briar'sBook (UK title The Healing in the Vine )
Circle of Magic Series, Book 4
Duration:  6 hours, 32 minutes
ISBN:  9781932076813
Release date:   Jun 01, 2004